Names: Naamah, Maamah, Nahema, Nehema, Na-Ama-Hema, Ha-Nahemoth, Naome, Lilith Ulemta, Ardat-Lili

Direction: Primarily North

Planet: Moon; Venus; Earth (Primary)

Color: Yellow, Black

Day: Tuesday Night (Right Before Wednesday)

Tarot: Hierophant; Empress; Queen of Disks/Pentacles

Animal: Bull, Dog, Owl, Serpent, Lamb, Sow, Goat, Rhinoceros, Dove

Element: Earth (Primary); Water (Secondary); Fire (Tertiary)

Attributions: Lily, Garnet, Olive, Wheat, Peach, Fig, Vervain, Mallow, Sandalwood, Pearl, Coral, Glass, Almond, Musk, Sapphire, Honeysuckle, Lemon, Coriander, Bismuth, Watercress, Copper, Myrtle, Dittany of Crete, Hashish, Aphrodisiacs, Patchouli, Vertivert, Rose, Spinach, Fuchsia, Clover, Red Brass, Mistletoe, Iris, Quartz, Hyacinth, Lilac, Cherry, Myrrh, Benzoin, Carnelian, Clover, Green Lapis, Oak, Black Copal, Periwinkle, Daisy, Apple, Rose, Thyme, Verbena, Ivy, Ambergis, Corn, Willow, Pansy, Cereals, Storax

The Origins of Na’amah

Na’amah, whose name translates to “pleasant” or “beautiful,” finds her roots in various mythological traditions, ranging from Hebrew to Islamic lore. In Hebrew tradition, Na’amah is described as one of the wives of the fallen angel Samyaza, a figure from the apocryphal Book of Enoch. Legend has it that Na’amah bore children to Samyaza, giving rise to a lineage of beings known as the Nephilim, who were said to be giants among men.

Na’amah is said to be betrothed to several prominent figures including Shamdan, Tubal-Qayin, and Samael, although you might find, as I did, that Samael is married to Lilith and we can make the association that Lilith and Na’amah are sisters. Some equate them as being mother and daughter, and others will speak of them being the Elder and Younger Lilith.

In terms of her association with Tubal Cain, apart from being lover and wife in some tales, we also find that in Apocryphal lore she is depicted as the sister of Tubal-Qayin and Baal, as well as the mother of Sorath and Asmodeus. The relationships mentioned in Hebrew lore are subject to interpretation and may not be taken literally.

According to Rabbinical teachings, Na’amah is depicted as the wife of Noah, with her name suggesting pleasing actions (ne’imim). However, an alternative interpretation portrays her engaging in “improper” behaviour, such as playing a drum and enticing people into idolatry, thereby contributing to corruption within society. This interpretation is possibly linked to a different understanding of Na’amah’s name, derived from ne’imah (melody and song).

According to the midrash, Na’amah was known as the most beautiful woman in the world, captivating even the ministering angels with her beauty, as indicated in Genesis 6:2: “The sons of God saw how beautiful the daughters of men were.” Later Midrashic literature and the Zohar further develop Na’amah’s character as a seductress, capable of ensnaring both men and demons alike.

Na’amah and the Grigori

Na’amah’s connection with the Grigori, also known as the Watchers, is a significant aspect of her mythology. The Grigori are described in ancient texts, including the apocryphal Book of Enoch, as a group of angelic beings who descended to Earth to instruct humanity but ultimately became corrupted by their interactions with mortals, or as mentioned previously, it says in Genesis 6:2: “The sons of God saw how beautiful the daughters of men were.”.

According to certain interpretations and apocryphal lore, Na’amah is said to have played a pivotal role in the seduction and corruption of the leaders of the Grigori, namely Aza (also known as Semyaza) and Azael. These two figures are prominent among the Grigori, often depicted as leaders or significant figures within their celestial hierarchy. In some interpretations, Semyaza and Azael, or Azazel, are said to be the same figure.

Na’amah’s influence over Aza and Azael is portrayed as both seductive and manipulative. She is believed to have exploited their vulnerabilities and desires, tempting them away from their celestial duties and into the realm of mortal desires and pleasures. This betrayal of their divine responsibilities led to their so-called fall from grace and the corruption of their angelic nature.

From this union of Angel and human, specifically in regards to the Watchers, the Nephilim were produced, and Na’amah’s child, fathered by Aza (i.e. Semyaza/Azazel), was none other than Asmodeus.

In some texts it was the union of Na’amah and Shamadon which produced Asmodeus (Ashmedai), noted in some texts as being the king of demons or the king of the djinn. Either way, it is apparent that Na’amah is the mother of Asmodeus.

The connection she has with the Grigori also denotes her role as a bridge between the celestial and terrestrial realms. She embodies the blurred boundaries between divine and mortal, angelic and demonic, creating a balance and signifying the interplay between light and darkness.

To add another layer to this, we also need to talk about her association with Tubal Cain. Often portrayed as the son of Lamech and Ziliah in Biblical texts, Tubal Cain, like Na’amah, has lineage connecting him to Cain.

According to certain traditions, Tubal-Cain is closely associated with the forging of weapons and tools, embodying the archetype of the skilled artisan and the transformative power of metallurgy. His name is often invoked in rituals and symbolic contexts related to craftsmanship, industry, and creative endeavors. In some of these traditions, Tubal Cain is said to have been the avatar of Azazel. If we then consider the various texts, either suggesting that Na’amah was Tubal Cain’s sister, or that she was his lover and wife, we could conclude that she was all of these things. Sister to Tubal Cain, lover to Azazel, mother to their offspring, Asmodeus.

This union between Na’amah and Tubal-Cain further symbolizes the alchemical marriage of opposites, representing the harmonious integration of masculine and feminine energies, earthly and celestial forces. Their relationship embodies the union of intellect and intuition, passion and discipline, forging a dynamic partnership that transcends conventional boundaries and limitations.

Some other attributes and aspects of Na’amah from various sources.

Attributes and Powers: Na’amah presides over a wide array of domains including physical fitness, pleasure, music, art, desire, sexuality, beauty, compassion, intelligence, love, storms, natural disasters, agriculture, wealth, protection, fear, and nocturnal creatures. She is also associated with divination, nature magick, death magick, and various forms of sorcery.

Spiritual Insights and Guidance: Na’amah grants insights into reincarnation, past lives, and the spirit planes. She aids practitioners in transcending the causal realm and perceiving spiritual realities. Additionally, she can impart serenity to troubled individuals and help them navigate personal struggles.

Symbolism and Depictions: Na’amah is symbolically linked to Lilith and is considered one of the four matron spirits of prostitution alongside Lilith, Eisheth Zenunum, and Aggereth. Depictions of Na’amah vary, ranging from a beautiful pale woman to a crouching figure with the body of an animal.